Suicide
Club begins with 54 Japanese schoolgirls chatting with each
other at Shinjuku train station while waiting for their ride. As
the Tokyo-bound train approaches, the girls gather together in a
straight line facing the track, holding hands. With a coordinated
"a-1... and a-2... and a-3", the girls jump onto the tracks
and create the biggest bloodbath before your eyes. It's a gory sight
of crimson red blood flowing along the train platform like a bloody
river, body parts strewn around like piles of butchered meat.
The appearance of a mysterious white sports bag
on the platform begins the investigation for 2 detectives. A family
man, Detective Kuroda (Ryo
Ishibashi) doesn't believe in the existence of the "Suicide
Club" and blames the mass media for fads in youths today. Detective
Shibusawa (Masatoshi
Nagase) disagrees, as it doesn't explain why people are throwing
themselves off buildings in a public suicide orgy after that unfortunate
incident.
To make matters even more puzzling, an increasingly
thick roll of sewn-together human skins is found in the white sports
bag, which mysteriously appears at some locations of suicide. An
informant known only as 'The Bat' tells the police of a strange
website that contains numerous red and white dots that seem to automatically
update the number of people who have died from the suicides (with
the red dots representing females and white dots representing males).
Throughout the suicide scares, teen J-pop group Dessert (grossly
misspelt throughout the film) is creating a nationwide frenzy with
their hit song "Puzzle", which carries an addictive melody
with a subtle death wish in the lyrics unbeknownst to anyone.
Why are normal people suddenly beginning to kill
themselves? What's the human skin-roll about? Who's 'The Bat'? Is
J-pop group Dessert involved in these suicides? Is there a Suicide
Club or is Kuroda right? There're even more mysteries here to digest
than a season of Crimewatch or CSI,
which makes Suicide Club absorbing and captivating throughout
its 99-minute run.
The
genius behind Suicide Club is director Shion Sono whose love
for gore could not be more obvious. But what's most impressive is
Sono's strong social commentary about fads and the new media. Suicide
is used as an extreme example of a trend that Japanese youths are
riding and how the power of new media (which is represented by pop
group Dessert and the numerous influential websites in the movie)
is able to manipulate their interest easily.
Sono poses a strong question in this technological
age about whether we are still connected to ourselves as much as
our relationship with others. In a movie that showcases numerous
methods of mass suicide, the underlying messages pose questions
on love for yourself.
Since the release of Ringu
or Battle Royale,
never has another horror-thriller movie garnered such a cult status
in Japan. Sono is on his way to produce another 2 sequels to this
suicide mystery. It's a surprise that a former gay pornography director
steps up to lead the culture revolution of a new and improved Japan
and creates an exploitative expose on the very medium that is the
object of his affection.
Suicide Club is more than just plain shock
value. Its hidden underlying message gives it credibility rare for
horror movies. You may not want to join the club, but it's certainly
worth checking out.
Rating: 4 out of 5 stars
Copyright 2002-2004 "The
UrbanWire.com" Ngee Ann Polytechnic Singapore